








Rising from the coastal plain, the Glass House Mountains are far more than a dramatic skyline; they are a place of deep cultural meaning, rare ecology and shared community identity.
For decades, quarrying has operated in their shadow, predating the area’s recognition as a National Heritage Landscape in 2006 and, more recently, the Sunshine Coast’s designation as a UNESCO Biosphere in 2022. In 2026, a proposal to deepen the Glasshouse quarry marks a new and confronting chapter.
While industry argues the need to meet regional growth, many locals are concerned about the environmental, cultural and visual impacts of taking the landscape ever deeper. In a region celebrated globally for balancing people and place, a question now sits with the community: how much is too much?
Community members, Traditional Owners, artists and advocates speak from the heart about what the Glass House Mountains mean to them, and what their future should hold:
Senior Elder Uncle Kenny Murphy
For the Jinibara People, the Glass House Mountains are our ancestral spirits. The mountains are a family, with Tibrogargan the father mountain always looking out to safeguard his family, Beerwah the mother mountain always pregnant, and the other mountains in the group are their children. The mountains have always looked after the Jinibara People, and it is our responsibility to look after them and the land around them as effectively this is where the ancestral spirits have chosen to camp. The Jinibara People who were trained properly by their Elders do not believe the quarry at the base of Coonowrin should be there as it is damaging the mountain and his camping place.
Megan
I am not here to fight. I am here to protect – my home, my children’s home, this living landscape, and my fellow neighbours. This is the intention I carry in my heart. The only way we can do this is in solidarity, as one community, with all of our community. We are human beings connected to these mountains, and these mountains are asking us now to stand up, each in our own way. There may not be many of us, but every voice matters. If we stay silent, if we do not speak, if we do not act, then nothing changes. And yes, it is frightening. I have never been to court. I have never been an activist. And yet, here I am. Because I love these mountains. They have changed my life. They are worth standing for.
Dean Reilly
My name’s Dean Reilly and I’m an artist grounded in a deep respect for the land and the stories it holds. Living and creating on the Sunshine Coast, I’m constantly drawn to the quiet power of the Glass House Mountains, not just as subjects of beauty, but as ancient presences that shape who we are.
In a region growing faster than ever, it’s easy to see these mountains as scenery or resource, but they’re so much more. They’re sentinels of time, sacred to First Nations people, and central to the identity of this place. What if we chose to see them not through the lens of what they can give us, but what they already are? Not just material assets, but living beings, worthy of reverence, protection, and pause. In a time of rapid change, they offer us something very rare, stillness, memory, and the chance to belong to something greater than ourselves.
Theresa
Gerard
Lily
Burnice
Sarah
Maree
I just love the mountains. I’m very much an earth person. I’ve been driving around Australia for 10 years in a van and I now live on the land here in my van. People ask, what’s the reason for standing up to protect them? I just love them. They’re important. I can feel their energy. I’m particularly connected with Beerwah. When I was 1000 miles away, I could actually feel her energy.
Heidelberg Materials Australia
As the matter relating to the Glasshouse Quarry expansion is currently before the courts, Heidelberg is unable to comment at this time.
Learn more: www.soghm.org.au


Images: Val Ross, Glass House Mountains Series









